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| 这部新影片由《飞屋环游记》和《头脑特工队》导演执导，彰显着异想天开的冒险美学，但主题却十分质朴。 |
| All three of these movies were directed by Pete Docter, the man who is also behind Up. One of Pixar’s foremost auteurs, the filmmaker is enamored of using animation to conjure worlds rooted in abstract metaphor. Soul, which debuts today on Disney+, is his most conceptual film yet, largely set in a realm known as “the Great Before,” a cloudy land where human personalities are created and zapped into our bodies upon birth. The ambition of Docter’s world building is laudable. And the smaller, human narrative he tries to tell within that universe—about a jazz pianist who finds himself stuck in the Great Before after a near-death experience—is sweet and charming.这三部电影都是由皮特·道格特执导，《飞屋环游记》同样是他的作品。作为皮克斯最杰出的导演之一，道格特喜欢用动画来构建一个基于抽象隐喻的世界。《心灵奇旅》于12月25日在Disney+首映，是他目前最抽象的电影，主要是以一个“生之来处”的世界为背景，人类的性格在这片灰蒙蒙的土地被创造出来，出生时便伴随我们。道格特构造世界的野心是值得称道的。他试图在这个宇宙里讲述一位爵士钢琴演奏家在经历了一次濒死后发现自己被困在“生之来处”的故事，这种更细微的、人性化的叙述温情而有魅力。 |
| We are all born with dreams, Docter seems to be saying, bubbling with ideas and personalities that are created even before we come into the world, but Joe’s story proves that there is more to life than that. Essentially, Docter has made a Pixar film for kids that tries to run at the nature-versus-nurture question and ends up splitting the difference. Compared to Pixar’s recent spate of sequels to past hits, Soul is a loftier project—a messy but expansive story worthy of its director’s grand ambitions.道格特似乎在说，我们生来就有梦想，在我们来到这个世界之前就充满了想法和性格，但是乔的故事告诉我们，生活不只是这些。从本质上说，道格特让皮克斯的儿童电影试图探索先天与后天这一问题，并最终达到折中。相对于皮克斯最近多部大热影片的续集来说，《心灵奇旅》的主题更加崇高，故事虽然杂乱但内容丰富，对得起制片人抱有的宏大野心。 |
| 来源：沪江英语 |
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